Table Of Contents

1. Don't Ride the Gondolas
2. Don't Limit Yourself to Just the Island of Venice
3. Don't Expect (free) Public Washrooms
4. Don't Bring Heavy Luggage
5. Don't Stress About Getting Lost
6. Don't Visit on the Weekends or in Summer
7. Don't Eat in St. Mark's Square
8. Don't Dine using a 'Tourist Menu'
9. Don't Take a "Free Glass Factory Tour" in Murano
10. Don't Miss the BIG Attractions By Forgetting to Plan in Advance

Don’t Ride the Gondolas

Gondolas are one of the most iconic images of Venice, and watching the black and white striped Gondoliers cruise up and down the canals inside their red velvet-lined boats is not to be missed. What you can miss is riding inside of them. While the dream of riding inside a gondola might seem the ultimate Venetian bucket list experience, the reality is much less dreamy. Gondolas cost at least €80 ($90 USD) for 30 minutes, and the price only goes up after 7 pm. Sure, you can cram up to five or six people inside the gondolas to try to split it with another two couples on the search for romance in Venice, but trust me, the awkward 30 minutes jammed inside a small gondola with strangers isn’t as romantic as you think.

And it costs even more if you want a gondolier who will do all that beautiful singing you’ve heard so much about. Ultimately, those euros could be spent much better on a romantic dinner along a quaint canal. If you place yourself anywhere near these secluded canals, you still get to enjoy all that beautiful singing for yourself without paying a dime.

Instead: Jump on one of the local vaporettos

If you’re dead-set on stepping into a gondola to check it off your bucket list, try a ‘traghetto‘ instead. A ‘Traghetto‘ is Italian for ‘ferry,‘ and these small, black gondolas ferry passengers across the Grand Canal at seven different points. Just from one side to the other. These were used for generations before the construction of the Grand Canal bridges. They cost only €2 and are still used by locals who don’t want to waste their time walking all the way to a bridge to get across. Although the ride might be short, it’s a great way to experience riding inside a gondola without the enormous price tag. The boats are almost exactly the same as the private gondolas, just maybe missing the frills.

Don’t Limit Yourself to Just the Island of Venice

Many people arrive by cruise ship onto the island of Venice and never leave its shores. More people pour in from the train station and don’t think of heading outside the Grand Canal once they arrive. While there are many beautiful things to do in Venice, it’s a great shame to make it down here and not visit at least one other of the surrounding islands.

Instead: Explore the islands of Burano and Murano

Burano and Murano are accessible by a 45-minute ride across the water on one of the public vaporetto boats. Visiting the island is a treat, and the journey out there is a great way to experience the beautiful ocean and surrounding scenery. The islands are crucial to Venice’s art, food, history and culture. Each has its distinctive flair and feeling, vastly different from the glamour and grandiosity of central Venice. You trip won’t be the same without making it out to experience these amazing spots.

Don’t Expect (free) Public Washrooms

Public washrooms aren’t a thing in Venice. The city, now one of Europe’s most popular tourist spots, wasn’t built to be one. And as such, there is a significant shortage of public washrooms. The only truly “public” washrooms aren’t free of charge. Sometimes, they can cost up to €2. And while you can usually spare this the odd time, these costs can add up.

Instead: Find a local coffee or gelato shop

Head into a local coffee or gelato shop and spend that €2 on getting a delicious espresso or refreshing gelato. After making your purchase, ask to use their restroom, and they’ll be more than accommodating since you’ve already purchased something. Visiting these local restaurants is a much better use of your money than just flushing it down the toilet.

Don’t Bring Heavy Luggage

Many travellers will repeatedly be told not to bring roller bags or heavy luggage to small European towns. But this advice is never more valid than in Venice. Packing those heavy, rolling suitcases will be a nightmare here. There are no cars which you can throw your bags into to make their way to your hotel quickly. Walking down cobblestone streets with a rolling suitcase makes enormous noise. Which the locals are not a fan of. Even if you can get a private water taxi, unless your hotel is right on the Grand Canal, you’ll still have to walk a fair way from the nearest boat dock to your accommodation. And these private water taxis cost €13 upfront, plus another €1.80 for each minute of travel. Less reputable boat drivers will often charge you per piece of luggage. 

Instead: Travel Light or Store Your Luggage

Now I’m not a light packer by any means, but I know when it needs to be done! And choosing to pack light made all the difference in the world when visiting Venice. But there is another solution for those who are excited to bring back boatloads of souvenirs but don’t want to be limited to a small backpack. You can always store your large suitcase in the luggage lockers at the Venice train station when you arrive. And transfer the essentials into a small carrying bag and you’ll be on your way! This will allow you to shop to your heart’s desire but will give you the freedom of getting to and from your destinations without any stress or struggle.

Don’t Stress About Getting Lost

Following maps on paper or via google maps is very difficult in a city like Venice. Sometimes the pathways are quite literally underwater. During the wet season in Venice, vast portions of the city get flooded, and raised paths are used to get around safely. But not everywhere has these raised walkways, so often streets will simply shut down, and you must take complicated detours. Venice’s streets will notoriously change their name halfway along, sending tourists into a tizzy. But don’t stress. Venice is a small island. Walking from one end to the other only takes about an hour, so you’re never that far away from where you want to end up.

Instead: Embrace the Wander

Keep in mind if you’re headed in the right general direction, you’ll eventually make it there. Learn to love exploring and find little treasures along hidden passageways. These are the fantastic discoveries about Venice which make it so unique. I would even challenge you to spend an entire day without your phone guiding you. Use that simple paper map you get at tourist information and see how far that gets you. When you get “lost,” just ask a local for directions. While you’re at it, ask them for a dinner or food recommendation and see if you can start a conversation. Locals might bristle at tourists initially (they are, after all, overrun with them) but they LOVE their city. And are incredibly giving and kind when they see someone genuinely trying to engage.

Don’t Visit on the Weekends or in Summer

If you have the option of when you can visit Venice, try not to visit on the weekends. This is not only because there will be a massive influx of tourists but because many of the main tourist sights (like churches and cathedrals) are closed for local services. Hotels will also be much more expensive during the weekends as even Italians travel on these days a weekend mini-breaks.

If you want to enhance your experience, avoid travelling during the summer. Summers in Venice are incredibly muggy as it’s so close to the seaside. The crowds make the temperatures seem ten times hotter than it is really is. Cruise ships are in and out of the ports, and the weight of these daytrippers can be felt not only on the ground but in the local’s attitudes.

One of the comments I always hear about Venice is that it smells. And yes, those old swampy canals can smell in the summer heat. But that’s just like any other large city in the summer. New York’s piled-up garbage is no picnic in 40-degree weather, either. Don’t blame the city, blame the sun.

Instead: Visit Venice in its offseason

Pack warmly and visit Venice in the winter. You’ll be shocked to see how different the city is compared to the stories of those who came in the summer. Winter in Venice is a strangely magical place. The city’s locals seem to come alive, despite the colder weather. The silent side canals and ancient architecture shuddering in the brisk wind are hauntingly beautiful and well worth checking out. The spring and fall are equally stunning, but you’re better off coming in the fall when you can avoid flooding that plagues the springtime.

Don’t Eat in St. Mark’s Square

Restaurants in any big city, especially near those HUGE tourist attractions, are rife with scams. And many overcharge customers to a staggering degree. Those beautiful cafes in St. Mark’s square, which make for lovely photographs, should be avoided at all costs. Mainly due to those costs. These cafes are overpriced and tack on a “sitting” surcharge simply because of the location.

Anytime you enter a cafe, ask if there is a “cover charge.” If you ask, they must fess up to this, so never be embarrassed. If the cover charge isn’t too bad and you feel like the overpriced drinks are worth the view, then absolutely go right ahead. But to save yourself a surprisingly large bill, always check before sitting down.

Instead: Head down any small side street adjacent to St. Mark’s

It’s always incredible to me the fantastic places you can find just steps away from the crowded tourist traps. Look for locals migrating, and you’re heading in the right direction.

If you’re insistent on eating at one of those picturesque restaurants, ask for their “al banco” or bar menu. This menu is often a completely different price point compared to their “al tavolo” or table menu. The only caveat is you’ll have to sit or stand at the bar. But sometimes I find this the best seat in the house as you get to watch the cooks or bar tenders at work and decipher the most popular dishes you yourself might want to try.

Don’t Dine using a ‘Tourist Menu’

Venice was perhaps the city in Europe where I saw the most prominent use of “tourist menus.” It is no secret that Venice isn’t the place to come for the best Italian cuisine, but there are incredible meals. If you know where to look. But Tourist menus are truly the worst ways to experience Venetian cuisine. They are built up of easy-to-please, faux-Italian meals. It’s watered-down cooking and mediocre at best. Avoid menus printed in various languages; although this is very inclusive, it often denotes that it’s not a traditional or local restaurant.

Also, be wary of anything that comes for “free.” Venice has been notorious for putting platters of oysters down in front of customers who didn’t order any without saying a thing. Assuming it’s perhaps a free entree, tourists gobble them up. Then at the end of the meal, you get an unexpected bill. If anything arrives at your table that you didn’t order, question it immediately. If they bring up some unspecific cost, say, “no, thank you,” and send it back!

Instead: Look for Handwritten Italian menus

The key to finding a good restaurant in Venice is looking for one without a paper menu at all. Just a chalkboard where they write their daily specials, using only the fresh catch of the day. Even if you don’t speak Italian, there are always a few words you can learn to identify what different dishes contain. As you tour around Venice, check out what the locals are eating and be sure to order that. A few local specialties in Venice are deeply rooted in their proximity to the ocean. Try any seafood-based risotto like moleche (small green crabs), which are popular in the springtime. Or creamed dried cod spread across fresh bread. And ‘Bigoli in salsa‘ is an appetizer pasta made using only three ingredients; onion, anchovies and white wine. Simple and delicious!

Don’t Take a “Free Glass Factory Tour” in Murano

Venetian glass is renowned all over the world. But with popularity comes those trying to take advantage of just that. Throughout San Marco, you’ll see hawkers advertising “free trips” to Murano to visit glass factories. Remember: nothing in this world is free. These dodgy companies will take you to some less-than-reputable glass factories in Murano. Once you arrive, the salespeople will put immense pressure on you to purchase some of their glass. Often guilting you into it since they provided you with a 45-minute trip to Murano for “free.”

This is not only really stressful but also prevents you from buying a piece of glasswork you genuinely fall in love with. These places are also known for purchasing much of their glasswork from China, and the artisans you see working in the factory are often just there for show. The best way to be sure what you’re buying is real is to check the price; too good to be true is often just that.

Instead: Take the public ferry to Murano and explore for yourself

The public vaporetto from Venice to Murano costs around €10. Sure, it’s not a “free” trip, but you’ll definitely feel free by being able to explore this gorgeous island on your own. There are dozens and dozens of authentic glass shops in Murano. Each artisan has their own unique style and heritage. Many artists have had the trade passed down from generation to generation.

And not all glass from Murano has to be prohibitively expensive. Sure, there are chandeliers which cost upwards of $100,000, but there are also gorgeous glass earrings which cost less than €10. I bought a few pairs, which are my favourite souvenir of the trip. I even picked the colours and watched the artist make the earrings right before my eyes. A real memory to bring back with me!

Don’t Miss the BIG Attractions By Forgetting to Plan in Advance

Venice is a small but busy city. Tourism is booming in this historical hub, and no matter when you arrive, there will always be tons of people. If there are one or two attractions you have your heart set on, don’t be shy about booking these tickets in advance. St. Mark’s Basilica ticket MUST be booked in advance. And even advance bookings get sold out sooner than you’d think. Some of the more popular museums often face the same issue during peak season.

Instead: Book your tickets online in advance

Despite the city feeling trapped in the past, the Venetian tourism industry is smack dab in the 21st century. And all the big attractions and museums offer advanced ticket purchases online from anywhere in the world. This will not only secure the fact you’ll be able to visit a particular place when in town, but also means you’ll be able to bypass the huge lines. Yes, you can always wake up early in the morning to be the first ones at the gate, but it’s your vacation, and you deserve to sleep in and relax! I’d recommend booking these at least two months in advance just to ensure you aren’t disappointed, especially in the summer.

Venice is a city that demands careful planning and thoughtful exploration. By avoiding these 10 common mistakes and embracing the alternative activities suggested, you’ll be well on your way to having an unforgettable experience in this unique and magical city. Remember to take your time, soak in the beauty of your surroundings, and explore beyond the typical tourist hotspots to truly get a sense of what Venice has to offer. By doing so, you’ll gain a deeper appreciation for this incredible destination, and create memories that will last a lifetime. So pack your bags, plan your itinerary, and get ready for an adventure that you’ll never forget!

Happy Travels, Adventurers

The post Avoid These 10 Common Mistakes In Venice And Discover These Ultimate Activities Instead! first appeared on The Creative Adventurer.

How to Cruise along the Grand Canal?

Most of the houses which now line the Canal are named after the original families who first settled here and grew this great city. Taking a trip down the Canal is like taking a trip back in time. And while it is an essential thing to do while in Venice, it doesn’t mean spending a pretty penny, renting out a gondolier for an hour or taking a cheesy river cruise.

Since Venice is a city built on the water, there are no roads and the only way to get around is via water buses called the Vaporettos. A 1-day pass for the Vaporetto will cost you 25€, or a single 75-minute ticket is 9.5€. For the purposes of this tour, a single ticket would do you just fine if you plan on walking your way around the rest of Venice for the day. While they might not look as elegant as the gondolas, they take the very same route and pass by all the same iconic landmarks for a fraction of the cost. 

Table Of Contents

1. How to Cruise along the Grand Canal?
2. Ferrovia Vaporetto
3. Scalzi Bridge
4. San Geremia
5. Fondaco dei Turchi
6. San Stae
7. Ca' Pesaro
8. Traghetto
9. Ca D'oro
10. Palazzo Morosini Brandolin
11. Mercato di Rialto
12. Rialto Bridge
13. Palazzo Corner della Ca' Grande
14. Palazzo Barbarigo Venice
15. Ca' Foscari
16. Grassi Palace
17. Ca' Rezzonico
18. Palazzo Loredan dell'Ambasciatore
19. Ponte dell'Accademia
20. Palazzo Cavalli-Franchetti
21. Peggy Guggenheim
22. Basilica di Santa Maria della Salute
23. Santa Maria Maggiore

Ferrovia Vaporetto

Set out as early as you can manage. Venice is a busy, busy city and the earlier you start your day the more you’ll have the city to yourself. We’re staring our tour at the Northern most point of Venice, at the Ferrovia Scalzi Terminal, and traveling east along the Grand Canal.

Get a seat near the edge of the boat to get the full view of the wonderful scenery. Watching the buildings pass by as you cruise along the river is like being transported into another world of fantastical architecture and ancient designs. I’ve included a googlemap of all the landmarks at the bottom of this post so you can follow along as you go. Come with me now on a tour down the Grand Canal.

Scalzi Bridge

The Scalzi Bridge is the first of three bridges you’ll pass under on your tour of the Grand Canal. While there are dozens of bridges to be found throughout Venice, there are only three which cross the extremely wide Grand Canal. The Scalzi Bridge is thin and is one of the more modern designs along the river. The original bridge built here was called the “Austrian” bridge and was built of iron. The stone replacement is much higher and allows for larger boats to pass underneath.

San Geremia

As you continue along the canal you’ll pass the back end exterior of San Geremia Church. Its stunning white dome with slim silver cross atop is one of the landmarks of this little area of Venice. This church was built in 1753 and houses the remains of Saint Lucy. The layers of architectural styles and colours on this church make it look like a layered wedding cake.

So many houses and palaces along the canal don’t have special names or histories but each one has a definitive character. Venice has always been an influential place for artists. As such the use of colour throughout the city is always extremely present. It’s hard to find a single dull building in the entire place. Residents decorate their faces with brightly painted wooden shudders, fantastical balcony flower boxes and stunning wrought iron designs.

Fondaco dei Turchi

Below is the Fondaco dei Turchi, once the seat of Venice’s Turkish population. Originally built in the first half of the 13th century, it is a perfect example of Byzantine design. rich use of colour and intricate stone work was of the utmost importance in Byzantine design. In the 17th century the vast majority of the Turkish population turned this building into a one-house-ghetto that housed hundreds of people as well as served as a warehouse and market for Turkish traders. Today it is the home of the Natural History Museum of Venice, which features a beautiful collections of flora and fauna, fossils, and a small aquarium. A feature which many of these Venetian houses have is the open porticos along the river’s edge which allow boats to pull right up to the interior of the house. Like a Renaissance version of a garage.

San Stae

Continuing along the Northern portion of the canal we pass San Stae. San Stae was built in 11th century and was once a rather subdued and unassuming building. But in the 17th century it was renovated by the Swiss master Domenico Rossi. Its powerful and striking baroque statues which cover the facade are unique due to their active forms which jump and leap out of their marble prison and give great life to this unassuming and otherwise small church.

Ca’ Pesaro

Right next to San Stae is the Ca’ Pesaro. The Ca’ Pesaro was once the residence of Leonardo Pesaro, to whom the building is still named after. Ca’, you’ll hear this word frequently throughout Venice. Ca’ is short for ‘casa’, the word for house in Italian. This building is uniquely designed with repetitive and heavy use of pillars that adorned the entire building. Building started in 1659. The architect was inspired by the chiaroscuro style of painting being employed during the Renaissance. Chiaroscuro is the use of strong contrasts between light and dark.

Here the architect used that same dramatic effect with his arches and columns. Creating an unmissable effect to any passers-by. The Pesaro family has turned its residence into a wonderful museum dedicated to 19th and 20th century paintings and sculptures which you can view today. It is only of the most impressive collections in Venice and highly recommended if you’re here for a few days.

Traghetto

While floating along the river you’ll pass by various less opulent, black gondolas being operated by men in simple black and white striped shirts. These are called ‘Traghettos‘. Inside these gondolas are business men, local, residents and even some tourists. These are not the tourist gondolas which go for hundreds of euros an hour, these gondolas cost only €2 and will take you across the large stretches of the Grand Canal which don’t have a bridge large enough to cross over. Otherwise you’re stuck walking around which can take a significant amount of time. So if you’re in a rush or just too tired to go the long way around, these little gondolas are the ticket! Plus, if you’re looking to experience riding in a gondolas without paying a ton of money, this is how you can check that box off your bucket list.

Ca D’oro

The Ca D’oro is one of the most fantastical buildings on the canal. The pale, multicoloured marbles along the facade makes it looks like a softer water colour paiting floating on the river. Ca’ d’Oro means ‘House of Gold’ as the facade was once covered in a thin coating of gold leaf. The palace was originally built in 1428 for the Contarini family, who were basically the royal family of Venice in the 14th century. This palace features some of the best Gothic architecture in Venice.

In Venice, gothic architecture wasn’t as dark and severe as it might have been in England or even on the mainland. In Venice, Gothic architecutre was more floral and leaned towards the Baroque. Today the palace houses the Galleria Giorgio Franchetti. The Gallery is a collection of art from the Baron Giorgio Franchetti. He donated all the works he had accumulated over the year to this public gallery to be enjoyed by the public after his passing.

Palazzo Morosini Brandolin

The facades in Venetian architecture are one of the best ways to identify which period the building was made in. Byzantine houses featured thin, horseshoe shaped arches with simple motifs on the capitals. Gothic houses have intricate rib traceries on top of their arches (as can be seen in the Palazzo Morosini Brandolin below) along with quatrefoil designs. Renaissance houses are simpler with bold projecting roof cornices and wide arches. Finally the baroque houses have circular headstones, and cherubs carved into the windows along with a bold use of ornamentation.

Mercato di Rialto

The old Venetian Marketplace still stands today and even still serves as one of the major places where Venetian locals shops for their every day groceries. You can spot the market easily along the River, just look for bright red drapes hanging behind wide white arches. These protect the food from inside from the weather. The building was originally a Gothic construction but the newly renovated design was made in 1907, but still preserves much of the original architecture. If you are close enough, check out the carved capitals on the end of the arches, each one is carved in the shape of a sea or sea creature since the main source of the market’s income both now and when it was first built was the freshly caught seafood from the ocean.

Rialto Bridge

The Rialto bridge is the oldest bridge in Venice. It was built by Antonio da Ponte in 1591. Its repetitive and powerful porticos that line the top of the bridge was a point of contention amidst Venetian architects of the time but now the Rialto Bridge is one of the most iconic images of Venice and it is because of its unique and daring design. If you arrive early in the morning you might see the bridge in all it’s architectural glory but as the day draws one thousands of tourists pour onto the bridge and it is packed to the gills, making some of the details hard to make out. Another great reason to come as early in the morning as you can manage.

Palazzo Corner della Ca’ Grande

Since Venice was such a wealthy city for many many years, hundreds of merchants flooded the city. Many of these merchants were foreigners and in 1228 a building was constructed to house all the “German” merchants. Despite the name, the merchant house included Poles, Czechs, and Hungarians all who traded goods inside the walls of Venice. This building was like the New York Stock exchange of its time. The sound of angry, loud and boisterous traders often flooding into the Grand Canal.

Palazzo Barbarigo Venice

My favourite building on the Grand Canal is the Palazzo Barbarigo. It was originally built in the 16th century and features an intricate mosaic applied to the facade. Each of the pieces of glass used in the mosaics were from nearby Murano, famous for its glass craftsmen. Photos cannot do justice to the way the light hits the colourful patterns and reflect off the water. The mosiacs were applied in 1886 when Barbarigo, who owned one of the glass factories in Murano, bought the property. He used the exterior of his house like a form of publicity for his incredible glassworks. In the famed St. Mark’s square you can visit the grand Basilica whos entire interior features more incredible glass mosaics. Barbarigo was so inspired by St. Mark’s Cathedral and took this inspiration into his own home.

While travelling down the canal be sure to study the boat docks which many of the large palazzos have in front. Each one has their own colour scheme, making the entire canal a river of wooden rainbow bulrushes.

The closer you get to St. Mark’s square the more and more traditional gondolas you’ll see travelling down the river with tourists inside. These large black gondolas are incredibly detailed with sumptuous red velvet interiors.

Ca’ Foscari

One of the things that makes the Ca’ Foscari so unique is that it has four floors, an architectural innovation for houses which are built on top of the water. It is designed in the Late Gothic style with a myriad of ornate windows. The tan brickwork in contrast with the white marble creates a beautiful juxtaposition against the blue sky.

Grassi Palace

The Grassi Palace is a beautiful example of the modern and neoclassical coming together is become the future of Venetian architecture. In Venice, keeping the historical artistry of the canal is so important but if there is no progress and modernization the buildings will eventually sink beneath the waves. When the Fiat Motor Company bought the palace they did extensive restorations and renovations to bring the palace back to its once great glory while also ensuring it would last for another century or more.

Ca’ Rezzonico

The enormous Ca’ Rezzonico was built by two of Venice’s greatest architecture in 1660. Baldassare Longhena and Giorgio Massari created the landscape of the Grand Canal and influenced architects both in Italy and all over the world. My favourite part of the building are the wide, oval windows on the top floor which resemble portholes on a massive ship. The building currently houses a fantastical museum where you can tour over 40 different rooms which replicate life in Venice in the Rococo period. Lush furnishings and elaborately designed fabrics make you feel like a queen, even for a day. There is even a reconstructed pharmacy which you can explore.

Palazzo Loredan dell’Ambasciatore

The Palazzo Loredan is a gorgeous example of Gothic architecture. The facade is decorated with ogee arches and quatrefoil windows. The Palazzo was built in the 15th century and was the birthplace of two of the Doges of Venice. A doge is much like a European Duke oversaw much of the functions of Venetian society. The Palazzo Loredan became a hot spot for Venetian aristocrats and Mozart even entertained here.

Ponte dell’Accademia

The Ponte dell’Accademia is the gateway into what I believe is the most scenic part of the canal. The first bridge which crossed this span of the waters was built as early as 1488 but the current wooden bridge design was built in 1933. While most bridges around this time were being built in the more resilient material of stone, designer Eugenio Miozzi insisted on using wood to preserve the more natural look which wood exumes.

Palazzo Cavalli-Franchetti

As you pass under the great Ponte dell’Accademia, you see one of the most iconic views of Venice. On the left side of the Canal is the Palazzo Cavalli-Franchetti. The building is painting sunflower yellow and it absolutely glimmers against the blue sky and teal waters. The palace was built in 1565 and is one of the most incredible examples of Venetian Gothic architecture. Today the building houses various exhibitions and congresses.

Peggy Guggenheim

Coming around the bend you approach the bright accented Peggy Guggenheim Museum. Although this building now contains Venice’s seminal modern art museum, it was once the home of famed art collector Peggy Guggenheim. Peggy adored Venice and curated the art in her home not to please the rich and uppity art crowd, but to please herself and her family. The collection feels so personal while also containing some incredible pieces from famed artists of the 20th century.

Basilica di Santa Maria della Salute

As we approach the great St. Mark’s Square we pass the bright white shining gem of the end of the Canal, Santa Maria della Salute. The grand double domed and octagonal design makes it stand out from the other churches along the canal. The church was built in memory of all those who died during the great plague of 1630.

The church was designed in the baroque style by Baldassare Longhena. Since the church was built in response to the plague, much of the art references Death. The contrast between the darker subject matter and the bright white stone and marmorino brick is a stunning juxtaposition. The facade is decorated with marble statues of the Virgin Mary along with figures of Saint George, Saint Theodore, the Evangelists, the Prophets, Judith with the head of Holofernes.

Santa Maria Maggiore

As your Vaporetto turns towards St. Mark Square you get a glimpse of the island church, Santa Maria Maggiore which stands opposite the great square. San Giorgio Maggiore was designed by Andrea Palladio in 1566 in classical renaissance style. The white marble facade gleams against the blue waters. The red brick buildings surrounding it, along with the bell tower, mirror the campanile in St. Marks Square. From the top of the tower, there is one of the most stunning views of the city.

Our final destination is St. Mark’s Square, the drawing room of all Europe. Approaching it from the waters you get an incredible view. I was on pins and needles as the boat pulled into the docks and we were let out to explore this historic square. You feel like one of those first European travellers who visited Venice in the Renaissance to experience all the wondrous art and culture which Venice was so famous for and still is to this very day. While there is SO MUCH to explore on land, taking this journey down the canal is the perfect introduction this city built on top of the water and the magnificent architecture which transformed the city into a dreamland unlike anything you’ve ever seen before.

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