Palaces - The Creative Adventurer https://thecreativeadventurer.com A Travel Guide for Exploring the World Fri, 10 Feb 2023 18:02:12 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://i0.wp.com/thecreativeadventurer.com/wp-content/uploads/2020/01/cropped-NewCreativeAdventurerLogo_250x250_v1.png?fit=32%2C32&ssl=1 Palaces - The Creative Adventurer https://thecreativeadventurer.com 32 32 171399271 The Most Haunted and Spooky Places to Visit in Stockholm https://thecreativeadventurer.com/the-most-haunted-and-spooky-places-in-stockholm/?utm_source=rss&utm_medium=rss&utm_campaign=the-most-haunted-and-spooky-places-in-stockholm https://thecreativeadventurer.com/the-most-haunted-and-spooky-places-in-stockholm/#respond Mon, 17 Aug 2020 18:11:57 +0000 https://thecreativeadventurer.com/?p=17133 Stockholm, especially in the middle of their dark winters, is genuinely one of the most hauntingly...

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]]> Stockholm, especially in the middle of their dark winters, is genuinely one of the most hauntingly beautiful places to explore. The lamplit alleys cast an ominous golden glow down on the cobblestone below. The echos of your footsteps causing you for a moment to suspect you might be followed. But when you turn around, there is nothing but darkness behind you. This kind of atmosphere is ideal for ghost hunting and exploring the darker side of Stockholm’s history.

Table Of Contents
  1. Mårten Trotzigs Gränd
  2. Black Friar Tombstone
  3. #23 Baggensgatan
  4. #14 Kindstugatan
  5. Stockholm Bloodbath
  6. #20 Stortorget
  7. Tjuvakällaren
  8. Siskeburen 
  9. #24 Västerlånggatan
  10. Stockholm Royal Palace
  11. Storkyrkobrinken
  12. Bonde Palace
  13. Riddarholmen
  14. Stockholm Cityterminalen
  15. Nya smedjegården
  16. Rosenkammaren
  17. Stora Barnhuset 
  18. Schefflerska Palace
  19. The Käpplinge Murders
  20. Brunkebergstorg
  21. van der Nootska Palace
  22. Stockholm's Bysättningshäkte
  23. Kolerakyrkogården
  24. Galgbacken
  25. Skogskyrkogården
  26. Happy Travels Adventures!

This guide is laid in geographic order. You can easily explore each location in one long walking tour or split the visit up into the various neighbourhoods and/or districts around Stockholm.

Mårten Trotzigs Gränd

Stockholm’s old town, or Gamla Stan, is a great place to start your tour. This part of the city dates back to the 13th century and still contains many 17th and 18th century buildings. The streets are dense with history and ancient spirits. Make your way along Västerlånggatan to the iron gated entrance to Mårten Trotzigs Gränd. This narrow alley, thick with graffiti, looks from afar like nothing special. But entering the lane at night, you’ll notice how dangerous and eerie this cramped walkway really is. The path has 36 steep steps, which spread only 35 inches wall to wall, making it the narrowest alley in Stockholm.

The stairs were named after merchant Mårten Trotzig. Trotzig owned several properties around the area and he commisionned the staircase in order to be able to better access them. He was a copper and iron merchant and one of the richest men in Stockholm. But with such a large purse of gold, came those who would try to steal it. And in 1617, he was beaten to death in nearby Kopparberg. His untoward death perhaps cursed the staircase, and these stairs would become the scene of many deaths to come.

Famously people would be robbed at the top of the stairs after exiting nearby brothels. The stairs were a prime location for thieves as the drunkards would be struck on the head and then pushed down the stairs. This allowed the thieves to get away with murder as the fall looked like what killed the men and would disguise the killing blow. Therefore there would be no one to suspect foul play. After pushing the victim down the stairs, the thieves would run away into the darkness of the night.

Often the women at the brothels were accomplices to these murders, identifying particularly rich patrons to the criminals outside. After a rash of these deaths, the authorities finally started to catch on and patrolled the area around the stairs. Eventually, the jig was up. Although the stairs are no longer the location of robbery and muder, there is still a spooky atmosphere here, which seems to boil up with the spirits once killed on these stairs.

Black Friar Tombstone

At the top of the Mårten Trotzigs Gränd, head east along Prästgatan and turn north up Södra Benickebrinken until you reach Svartmangatan. Stockholm’s old Black Friars’ Monastery was once located on the west side of Svartmangatan. Look out for the black iron door along Benickebrinken street. This rather unassuming entrance leads to the ancient vaults of the old Black Friar Brotherhood Monastery. Visitors can still visit the catacombs by private guided tour with the Medieval Museum in Stockholm. 

Svartbrödraklostret

The Black Friars’ Monastery or Svartbrödraklostret was built in 1336. They were named the “black friars” due to their attire, which featured black, hooded robes. Despite the order being funded by the previous King Magnus IV in 1337, the new Swedish King Gustav Vasa, who reigned in 1528, wanted them out. By order of the King, the monastery was demolished in 1547. 

Hundreds of years later, in 1930, when the St. Nikolai school was being erected, construction workers unknowingly dug up the bones of the monks who had been buried here for over 500 years. The construction workers were so shocked when they uncovered this gruesome discovery that they hurriedly moved all the bones into one mass graves, without another thought. But shortly after doing so, the construction workers reported having terrible visions and hearing voices down in the vaults. When they would follow the cries, they found them to be echoing from the mass grave. Most workers were scared right off and didn’t return. Clearly, they wanted to be returned to their original resting place.

The one tombstone which marks the spot is engraved with the text, “Here are the remains of Swedish Dominican monks in the Old Town. They were found at the foundation excavation of the St. Nikolai school’s new building in 1932. Rest in peace.” But it doesn’t sound like they are at peace at all. Still to this day, people have been known to hear their sorrowful cries, echoing through the vaults.

#23 Baggensgatan

Following in the footsteps of the Black Friars, make your way to Baggensgatan. The lower part of Baggensgatan leads to the Black Friars’ Monastery entrance, and many of the friars lived along this narrow street. Walk along Baggensgatan until you come to number 23. This house looks pretty unassuming, but the history behind these walls is rich with ghoulish tales. Building number 23 was located right about the vaults of the old Black Friars’ Monastery. After Gustav destroyed the monastery, legend had it that the friars had hidden all their earthly treasures inside the vaults. Before the destruction, they had hidden the entrance to these catacombs so no one except those in the brotherhood could find them. After hundreds of years, this was in the hopes that they could return to power and recover their riches.

Magnus Ahlström

In 1762 the building was bought by captain Magnus Ahlström. The house went by the name Ahlströms jungfrubur or “the Maiden Cage of Ahlström.” If the name didn’t give it away, it was indeed a brothel. He described the house as a “virtual temple of Venus with space for the priestesses on all three floors.” The brothel was such a popular spot on the street that the stone stairs leading into the house are more worn down from foot traffic than any others along the road.

But Ahlström’s penchant for the darker side of the law didn’t stop here. He was obsessed with the rumours around the hidden treasure and brought this building for that very reason. Ahlström hired a group of miners to dig down and down into the foundations of his house to access the hidden friar tunnels. He placed armed guards at the entrances to tunnels to prevent the miners from escaping with the treasure for themselves.

Underground Excavations

After weeks of unsuccessful excavations, he came down to find the miners had disappeared even though the guards had never seen anyone leave the tunnels. They searched the tunnels for weeks, but no sign of the miner was found. Still, to this day, residences Baggensgatan say they can hear the sound of pick axes digging long into the night. Perhaps the Friars cursed the treasure. Any of those who weren’t worthy of retrieving it would be sentenced to forever searching for it, even in death.

#14 Kindstugatan

In the medieval period in Stockholm, swordfights were among the most popular ways to resolve disagreements amongst the menfolk. Usually, these duels ended without too much bloodshed, but on the night of August 12th, 1674 poet Lasse Lucidor wasn’t that lucky. In fact, his nickname was “the unlucky one.” Lucidor had gotten into a fight with the bartender of the basement pub, which once resided here.

Lieutenant Storm

The bartender refused to serve the poet until he paid the rest of his tab, knowing all too well that he didn’t have the coin to afford even what he had already drunk. Hoping to break up the fighting, Lieutenant Storm approached the drunk poet in the hopes of simply asking him to leave without a skirmish. But thinking the Lieutenant meant to harm him, Lucidor drew his sword, not a smart move since he was a lover, not a fighter. Lucidor swung widely at the Lieutenant, but only managed to give him a scratch on the arm.

Now filled with rage at this seemingly mad writer, Storm stabbed him through the heart, a fitting end for a poet. He was buried in an unmarked grave in Maria Magdalena graveyard, a common practice for those too unfortunate to have a tombstone of their own. But those buried in unmarked graves are often unsatisfied with their existence being so poorly remembered. These unnamed spirits haunt the spots where they met their untimely end and walking along Kindstugatan see if you can hear the sorrowful poet’s death wails as he morns for his soul into eternity.

Stockholm Bloodbath

Walk west until you reach the main square in Gamla Stan, Stortorget. Stortorget in Swedish means “the Grand Square.” Surrounding the square are some of the most regal and colourful 17th and 18th-century buildings. In the middle ages, this intersection was the Times Square of the period. While the cobblestoned square is as charming as can be, this ancient part of town is also home to one of the most notorious bloody crimes of Stockholm’s history; the Stockholm Bloodbath of 1520. 

The Stockholm Bloodbath was the real-life inspiration for Game of Thrones “Red Wedding.” When Danish King Kristian II invaded Sweden and took the throne, he needed to cleanse the court of anyone who opposed him. 92 members of the nobility were brought to the main square in Gamla Stan. There, they were accused of treason and were beheaded and hanged one by one. Onlookers said there was so much blood it soaked the ground for months and flooded the entirety of Stortorget. The executions were such a long process, they occurred over three days from November 7th to November 9th, 1520. Now, in November, residences have reported seeing the blood still flowing in the square, lit by the moonlight, it disappears the second someone tries to touch it. 

Sourced from wikimedia.org

#20 Stortorget

One of the buildings nearby, which is painted red, contains 92 white stones, surrounding the window panes. Each stone represents the soul of one of the Swedish nobles who perished during the Bloodbath. Legend says that if these stones are removed, that soul of that person will rise from the dead and haunts the streets of Stockholm.

Tjuvakällaren

Where the Nobel Musem now stands was once the spot where you’d find the old Rådstugan or Stockholm Town Hall. The town hall stood here from 1471 to 1772. Inside is where you would find the Siskeburen or detention centre and the Tjuvakällaren or thief’s cellar. The Tjuvakällaren was located in the depths of the medieval basement. The basement was a disgusting place, where the sewage from the rest of the city would collect and was never cleaned. Prisoners were chained to massive logs, beaten and tortured. Some would be pressed up against the walls, which were known to get so cold that the prisoners would freeze onto them.

Siskeburen 

The Siskeburen was located on the first floor of the town hall and was a much less brutal place for prisoners who awaited their fate. The name comes from the Swedish word for “cage,” as the chambers used to keep the prisons looked like tiny cages. Often one of the more common people you’d find here were women waiting to receive their punishments for infidelity. The church at the time controlled who married who as a means for regulating their power, ensuring families were marrying “their own kind.” This resulted in many unhappy marriages, and therefore adultery was pretty common, but can you blame them? Women accused of cheating would be stripped naked and forced to walk with stones strapped to their backs to the gates of the city. There, they would be banished and could never return. 

In front of the Siskeburen, you could find the Copper Matte or “pole of shame.” The pole was topped with a copper sculpture of a man wielding a large crop of rice. This statue was meant to warn citizens to follow the rules as disobeying would result in harsh punishments. It stood here from 1603 to 1776. The word “matte” comes from the name of the mayor at the time, Mathias Trost, who was a strict ruler and who the statue was also modelled after. You can now find the Copper Matte statue on display inside the Stockholm City Museum. 

#24 Västerlånggatan

Västerlånggatan, in the middle of the busy tourist neighbourhood of Gamla Stan, is home to the chic little shop Iris Hantverk located at #23 Västerlånggatan. But above the doorway into the store is an old stone frieze with a rather fascinating story behind it. The legend goes that one day a ship’s captain was lost at sea. The captain was tossed overboard when he was saved by a beautiful water sorceress. She brought the captain down to her castle under the waves where she nursed him back to health. In exchange for returning the captain to his ship and his safe return home, she gave the captain a letter to deliver immediately upon his return to Stockholm. The letter was addressed to Mr. Måns at #23 Västerlånggatan. 

Ghost Cat

But when the captain returned to Stockholm, he forgot all about the message. He spent the majority of his day focused selfishly on unloading his ship’s cargo. When he finally got around to posting the letter, the homeowners told him that the only person named Mr. Måns at that address was a cat. Puzzled but thinking he should still deliver the letter, he went to find the cat.

Once he placed the letter in front of Mr. Måns, the cat began to cry and then proceeded to scratch the captain to death. After attacking the man, the cat sorrowfully jumped out the window where onlookers saw him turn to stone. You can still see Mr. Måns on the frieze above the doorway at #23 Västerlånggatan. No one will ever know what was written in that letter since it was written in a language no one could understand, so we are only left to wonder what kind of sorcery cursed the poor cat.

Stockholm Royal Palace

Stockholm’s Royal Palace is home to more than one of the city’s famed ghosts. The first is the White Lady or Vita Frun. But unless you have some Swedish royal blood flowing through your veins, you probably won’t spot her. The White Lady is known to only appear to members of the royal family, warning them of a royal’s imminent death. She is said to wear a long white dress, a veil covering her face, wit dark gloves covering her ghoulish hands. In those hands, she clutches a large key ring which she uses to get into all 1,403 rooms inside the castle. She has appeared to both King Oscar II, Princess Eugenie, Princess Margaret and Queen Silvia. Even those not in the royal family have been known to hear that unforgettable ghostly clinking of keys as she glides throughout the hallways of the darkened castle.

The other of the palace’s ghosts in the old Gray Man or Grå manner. The Grey man is reportedly the ghost of Stockholm’s founding father Birger Jarl. Birger Jarl is said to appear in front of the new rulers every time they take the throne. Birger Jarl originally built his fortress on the very same spot where the Palace is located today. One can only wonder if he haunts the castle, ensuring that the rulers of his kingdom are truly worthy.

Storkyrkobrinken

Storkyrkobrinken was once better known as Helvetesgränd or “Alley of Hell.” This area was located north of the main church and, therefore, “the northern side of the damned.” It was a street that frequently saw criminal activity and was rampant with suicides. The city’s executioners were known to live on this very street, ensuring it’s dark history for the ages. Swedish executioners were given their own apartments, but this luxury came at a high price. All executioners were men who were themselves condemned to death. In exchange for a period of freedom, they served as executioner, a job otherwise too gruesome to find willing applicants. The men were marked to guarantee everyone knew who they were. Both their ears were cut off, and they were branded with the city’s crest. 

Their employment would only end when another prisoner took their place. This new prisoner, also sentenced to death, would come to the executioner’s apartments and murder the previous executioner. But what a life to lead, knowing that your days were numbered and that death lurked in the very room you lived in. The apartment was destroyed in the 18th century, but the dark mark of their residence still resides in the area.

Bonde Palace

Just outside Bonde Palace is where Hans Axel von Fersen was beaten to death, in 1810. Hans Axel von Fersen had served both King Gustav III and his son King Gustav IV. But when Gustav III died, his son was exiled, and Christian August of Augustenburg was put on the throne. Fersen was frequently heard opposing this election as his support directly lay with Gustav IV. When Christian August died shortly after his coronation, Fersen was suspected of foul play. The 1800s weren’t a time for philosophical investigation, and Fersen was attacked by an angry mob and lynched outside Bond palace. Fersen was always loyal to the realm, and his ghost is still thought to haunt these streets in search of revenge.

Riddarholmen

Riddarholmen Church is located on its own island just west of Gamla Stan. It was once a former medieval abbey built in the late-13th century for the Greyfriars. Since the church was always one the grandest in the city, it has long been the site for royal burials. One of these royal families was the Torstensson family, whose vault is known to be one of the most haunted spots in the city. 

At night, employees have been known to hear banging and knocking coming from inside the tombs. There also have been rumours of footsteps and heavy breathing coming from the other graves. Almost as if they are clamouring to get out.

Stockholm Cityterminalen

Head over to the Stockholm Cityterminalen, where you have access to a myriad of different train lines. Standing on these platforms, unusually late at night when there aren’t too many people on the platform, you might get the chance to spot the elusive “ghost train.” This silver-coloured train is known to stop at various stations along the track. But be warned, do not get on. This train isn’t headed anywhere the living wants to visit.

The train goes by the name the ‘Silver Arrow‘ or ‘Silverpilen’ due to the aluminum exterior. This ghost train is thought to carry the souls of the dead to an abandoned station in the middle of the forest. This station, known as Kymlinge, does, in fact, exist. It was built in the 70s to service rural parts of Stockholm, but construction was abandoned after it was deemed unnecessary. Today, residents warn visitors to be wary of getting on any train that looks like the silver arrow as the living will get stuck in an infinite loop as the train is meant only for those already dead.

Nya smedjegården

The Nya smedjegården, also known as the New Blacksmiths’ Yard, was one of Stockholms’ most notorious prisons. It operated between 1636 and 1896. The building once stood on the corner of Drottninggatan and Barnhusgatan, which is now a seemingly perfect residential area. But gaze into the past, behind every corner store and apartment building, and you’ll find a dark history.

The Nya smedjegården prison was built to contain the overflow from the dungeons of the old royal castle, Tre Kronor. Prisoners brought here were made to work in the smithy as part of their punishment. Back then, there was no distinction made between crimes, which meant that men, women, big thieves and first-time criminals were mixed. Making it an extraordinarily dangerous place to be for all those incarcerated.

Rosenkammaren

But the most shocking part of the Nya smedjegården was the Rosenkammaren or Rose Chamber. Despite the flowery name, this room was better known as the torture chamber. It was often filled knee-deep with freezing cold water. Prisoners were chained from the ceiling and suspended into the icy pools. It wasn’t until 1772 that torture was abolished by Gustav III, and the torture chamber was destroyed.

Famous theif, Jacob Guntlack who was held inside the Rosenkammaren.

Stora Barnhuset 

But the dark nature of the building had been imprinted on the earth, and even after the prison changed hands, the wicked spirits which haunted location stayed on. In 1624 the prison also served as a children’s workhouse and orphanage called the Stora Barnhuset or “Great Children’s Home.” But it was anything but great for those poor souls trapped there. The workhouse was poorly run, and abuse was rampant. In 1770 there was a great scandal that revealed that staff kept the children half-starved and sold the food donated by the state. The mortality rate was extremely high, and hundreds of little children met their mournful end here. 

Sourced from wikimedia.org

Gustav III was extremely sympathetic to the horrible conditions these children were living in. He decreed that children placed in the orphanage would only be there temporarily until a foster home could be found. From 1785 onward, children didn’t spend their entire lives within these haunted walls. Instead, they stayed there only for a couple of months before a permanent home could be found. The orphanage itself was finally closed in 1922, but the tormented spirits of both the prison and the orphanage remain.

Sourced from wikimedia.org

Schefflerska Palace

Walking along Drottninggatan, you’ll reach Schefflerska Palace locked away from the public behind a set of tall, teal gates. Since the Palace is closed to visitors, this is the best way to get a look at this spooky manor. The palace has been so notorious haunted that it even goes by the name “Spökslottet,” which in Swedish means “haunted house.”

The Schefflerska Palace was built by a wealthy merchant in 1690. Almost as soon as it was made, it was proclaimed as being haunted. Guests who visited the house would report hearing strange music coming from unoccupied rooms. Windows and mirrors were also known to break no reason. People thought one of the reasons the house was so haunted was that owner Jacob von Balthasar Knigge, was reportedly a devil worshipper. Beneath the palace, they said he kept skeletons, buried treasure, and the victims of his devilish rituals. 

The Death of Knigge

Although officially Knigge died in bed in 1796, legend has it that on that night neighbours saw him getting into a black carriage with flames which spurted forth when they took off. The carriage was being driven by a massive black creature with horns and a tail. It carried him into the night, never to be seen again. His body is said to be buried at the Adolf Fredrik cemetery, but until someone can dig it up to see if he’s really there, the legend lives on.

Gustaf Sandström

Long after his death, strange things continued to happen inside the palace. In 1879 Gustaf Sandström, a famous opera singer, was a guest in the home. That night, for reasons no one could comprehend, he committed suicide. Later a young couple was murdered in the same room and their bodies hidden behind a bricked-up wall. They were only discovered years later, too late to look for a suspect.

A priest was finally brought to the palace to investigate the strange occurrences. While trying to exorcist the demons, he felt an ominous, invisible presence enter the room. He was thrown out a glass window by the unseen entity. Although he survived, he never returned as the darkness which possessed the house was too strong. The area around the palace is known as Spökparken or ‘the Ghost Park.’ With the city seemingly getting on board with officially labelling the area as being “ghostly,” it’s hard to see this as just a legend.

The Käpplinge Murders

In 1389 the tensions between the Germans (who supported Albert, King of Sweden) and the Swedes (who helped Margaret I of Denmark) were brought to a boiling point. On June 14th, 1389, German soldiers and merchants gathered in Gamla Stan and read a list of who they deemed traitors aloud in the square. Once the traitors were gathered up, they were put on a boat and sent over to Käpplingeholmen (now Blasieholmen). There, inside a large barn, they were burned alive. Walking along this street at night in the winter, you’ll often find fire barrels lit to keep the populace warm. However, the Käpplinge ghosts don’t take too kindly to this, and people have been known to still hear their angry screams on cold winter nights.

Brunkebergstorg

Brunkebergstorg is a square in the Norrmalm district in Stockholm’s inner city. The square was once lined with fashionable shops in the 19th century, but early in the 20th century, it became Norrmalm’s commercial center. That being said, 500 years ago, this square served a much darker purpose. This was one of the central locations for public executions in Stockholm. One of the most gruesome ones was the murderer of King Eric XIV‘s secretary Martin Olai Helsingius. Martin Olai Helsingius had pleaded with the king to pardon his predecessor, Jöran Persson, who had been accused of the looting of Svartsjö Palace in 1597. Eric was appalled that his new secretary was trying to protect the acts of a known criminal and Martin was sentenced to death for treason.

But Martins’s punishment was more severe than even Persson’s (who had actually committed a crime). Martin’s ears were nailed to the gallows, and after he was hanged, he was taken down just in time to keep him alive. His body was then set upon the breaking wheel, where he was tortured. Finally, after hours of terrible suffering, he was beheaded. His body nailed to a stake in the square where the public could observe him as a horrendous warning for others who would oppose the king.

van der Nootska Palace

In the middle of the hipster neighbourhood of Södermalm, you’ll find one of the most impressive event venues in the city, van der Nootska Palace. The palace was built in 1674 and is named after its builder, Dutchman Thomas van der Noot. The manor house served as a private residence for several wealthy families over the years and, throughout that time, gathered its fair share of ghosts. 

Mermaid Melusina

The ghost of mermaid Melusina is known to take a bath here every single Sunday night. As the legend goes, Melusina was once the king’s daughter. When she was born, she was cursed by a wicked witch. The curse turned the beautiful princess into a mermaid once a week until she gave birth to eleven children. The princess married a noble duke and hid her transformation by hiding inside the bathroom every Sunday night. She gave birth to ten children before her husband discovered her terrible secret. 

Ashamed of her appearance and her husband’s disgust, she fled, threw the pipes under the bathtub, where she would remain a mermaid forever. Still, to this day, she emerges to the surface to bathe in the van der Nootska Palace. Evidence of this ghost can be found in the architecture of the house. On the exterior, you can see a series of carvings of mermaid’s faces. 

Jean Jahnsson

The other ghost who lives in the palace goes by the name “the jeweller’s wife.” Jean Jahnsson was a wealthy jeweller who owned the manor in the 20th century. But Jean Jahnsson was a torrid adulterer and kept several lovers on the side. It was only a matter of time until his wife discovered his immoral behaviour. When she died, she still carried that grief and anger with her into death, and her raging ghost latched itself to the palace. Her spirit is often spotted furiously, stomping around the castle in search of Jahnssonand with one of his dalliances.

Stockholm’s Bysättningshäkte

One of the city’s most popular modern restaurants, Häktet, hides behind its slick bar and contemporary cuisine, a sinister secret. This building was once Stockholm’s Debtor’s Cottage, known as Stockholm’s Bysättningshäkte. The Bysättningshäkte operated from 1782-1872. Back in the 1700s, it was literally illegal to be unemployed. If you didn’t contribute to society, the authorities were allowed to throw you in jail. Orphans, anyone who was sick or disabled, were also thrown in these debtors cottages. Since they didn’t pay taxes, they were “in debt” to the city. 

These captives were forced into labour to repay their debt. Women were forced to spin thread from the moment they got up in the morning to the time they went to bed. Men were required to extract paint from the sap of trees, which was used to dye fabrics. There was little food to go around, and there was often violent misconduct, resulting in many inmates’ deaths. Still, since these people were seen as unfavourable by the city, their deaths were often overlooked. While you can dine on horse tartare and steamed cod here at Häktet, listen carefully to see if you can hear the shrieks of starving ghosts who are still heard rattling the bars of their cages.

Kolerakyrkogården

We are now heading out of the city to explore remoter locations on the tour. If you’d prefer to end your walk inside the city center, you can do so now. But from Bysättningshäkte, its only a 21-minute train ride (on line 13,14,17 or 18) to the Kolerakyrkogården. The Kolerakyrkogården or the Cholera Cemetery is located in the southern part of Stockholm. This cemetery was the main burial ground for victims of the 19th-century cholera epidemic. Many residences of nearby Södermalm died of the easily transmittable disease. Horse-drawn carts piled high with corpses carried the dead from the inner city, up to the cemetery. Up to 16 coffins were then placed in each grave. In total 3,665 people died in the first outbreak from August 27th to October 17th, 1834. 

The city was hit again in 1853, which resulted in about 3,000 more deaths in just a few weeks. The Kolerakyrkogården was filled to bursting with these bodies, some of which weren’t even identified when placed into mass graves. Such a place of mass sorrow is bound to have its fair share of forlorn spirits. People who visit the graveyard today have been known to hear disembodied voices echoing across the otherwise quiet green fields.

Galgbacken

Located just a 10-minute walk away from the Kolerakyrkogården, you can find the Galgbacken or Gallows hill. This spot, now marked by a historical sign, indicates the last public execution site in Stockholm was located. The gallows hill was used as early as 1689, and the last public hanging took place in 1818. After its destruction, the memories of the dark history were lost to the sands of time. It wasn’t until 1930 when new a block of houses was being built that construction workers uncovered a series of skeletal remains.

When it was in use, inmates from the nearby inner-city prisons would be brought here. What made this gallows different, was that the prisoners were brought here and allowed to enter the Källaren Hamburg cellar, for one last drink before they were hanged or beheaded. 

Skogskyrkogården

The Skogskyrkogården or Woodland Cemetery is one of a few dozen cemeteries marked as UNESCO world heritage sites. Unlike some cemeteries created out of the need for mass burials, this cemetery was well planned, and some of the world’s best architects were employed to build an impressive design. An international competition was held in 1915 for the plan of the new cemetery in Enskede. The winning architects modelled the cemetery’s layout on German forest cemeteries. These ancient graveyards provided an extraordinary tranquil environment surrounded by the beauty of the natural world.

Sculptures in the Park

Throughout the park, you’ll discover stunning sculptures by Carl Milles. These were created to be integrated into the rest cemetery’s layout of peaceful paths and gentle rolling hills. 

At one point, this old cemetery was a popular spot for those suffering from homelessness. They would come here to camp at night, but after some time, people noticed they had stopped camping here altogether. Many of them mentioned hearing voices at night, and seeing pale beings appear and then disappear as quickly as they could blink. See if you can spot one for yourself.

Hopefully, you enjoyed the tour and aren’t took scared to go to bed tonight! Let me know the spookiest place you’ve ever been to while travelling or what you’re most looking forward to exploring in Stockholm!

Happy Travels Adventures!

References

Wikipedia | City of Stockholm Archives | Stockholm Gamla Stan

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]]> https://thecreativeadventurer.com/the-most-haunted-and-spooky-places-in-stockholm/feed/ 0 17133 Discover Denmark’s Amazing Hidden Gem: A Guide to Frederiksborg Castle, the Best Day Trip from Copenhagen https://thecreativeadventurer.com/self-guided-tour-of-frederiksborg-castle-day-trip-from-copenhagen/?utm_source=rss&utm_medium=rss&utm_campaign=self-guided-tour-of-frederiksborg-castle-day-trip-from-copenhagen https://thecreativeadventurer.com/self-guided-tour-of-frederiksborg-castle-day-trip-from-copenhagen/#comments Sat, 18 Jul 2020 17:23:16 +0000 https://thecreativeadventurer.com/?p=13522 Located on a picturesque lake, less than an hour outside Copenhagen, you’ll find the Renaissance gem...

The post Discover Denmark’s Amazing Hidden Gem: A Guide to Frederiksborg Castle, the Best Day Trip from Copenhagen first appeared on The Creative Adventurer.

]]> Located on a picturesque lake, less than an hour outside Copenhagen, you’ll find the Renaissance gem of Scandinavia, Frederiksborg Castle. This once royal residence hides gilded treasures, historical paintings, rich furnishings and fantastic decor behind a simple, red brick exterior. Spread out around Frederiksborg is a large expanse of land. You’ll find it has its own small lake, three islands and an incredible Baroque garden protecting this Danish treasure. Many people call Frederiksborg the Versaille of Denmark and I have to say I wholly agree. 

When I first came to Denmark, this castle was one of the top things on my list to do. Rick Steves‘, my personal travel guru, had a rave review of Frederiksborg and I knew, based on his opinion, I had to make the journey out there myself! The most unique aspect of the castle is perhaps its furnishings. Frederiksborg is decorated to look as if it is still inhabited. There are few barriers between you and the history and at times, when you’re alone in the room, you feel like you could just jump into bed (but don’t). As you move through the castle, you travel through time, room by room, by the changing decor.

Location

Frederiksborg Castle is located in the small town of Hillerød. If you want to make an entire day out of your trip to Frederiksbborg Castle, you should spend some time in the village of Hillerød. It is such a perfect, quaint little town. The Hillerød City & Graphic Museum is a great place to visit on your way out of town. It features a complete history oh Hillerod, games for children and a little letterpress museum. There is an amazing gallery featuring samples of advertisements that were used in town printed on that very letterpress. Large dioramas of what day-to-day activities would have looked like in Denmark in the 19th-century are also joyfully curated to bring this town’s history to life.

How to Get There

Assuming you’re coming to Frederiksborg from Copenhagen, you’ll just need to hop on the S-train. Take Line A from Copenhagen Station to Hillerød Station. The ride takes about 40 minutes and costs 92 DKK or $9 USD.

From Hillerød Station you can walk directly to the Palace. The walk takes just under 20 minutes and is a lovely little jaunt through the village. If the weather isn’t on your side, you can also take the local bus 301 (towards Ullerød) or bus 302 (towards Sophienlund). Get off at the stop “Frederiksborg Slot” or Frederiksborg Palace.

There is also a third option, which is the ferry! You can take the ferry right into the castle but I would recommend doing the ferry on your way back. The optimal way to experience the castle tour is from via the roadway which leads into the front entry, whereas the ferry would take you into via the back entrance.

Hours and Admission

Buy your tickets online or at the castle on the day you arrive. Unless you’re visiting during the absolute peak of the season, I wouldn’t worry about buying a ticket in advance as this castle is pretty quiet when compared to other popular attractions.

Opening hours

Frederiksborg is 365 days year:
November – March: 11 am – 3 pm
April – October: 10 am – 5 pm

Admission prices

Adults: $11 USD / DKK 75
Children (0-5 years): Free
Youth (6-15 years): $3 USD / DKK 20
Students & Seniors (65+): $9 USD / DKK 60
Family ticket (2 adults + 3 children): $22 USD / DKK 150

Accessibility

It’s important to note that the entryway into the castle is heavily cobbled. If you have a walking aid you should be ok with some assistance. But if you require handicapped access, there is a separate entrance available to the right of the main entrance. Press the button to call for assistance.

Elevators connect all floors of the museum for wheelchair access. The only rooms not available are the Palace Chapel and the Great Hall (which are not accessible to wheelchairs). If you think all the walking might be a little strenuous and you’d rather be comfortable, the museum has two wheelchairs, which can be borrowed from the ticket office. Authorized guides and assistance dogs are also welcome in the museum.

When to Arrive

I would recommend arriving right when the palace opens. There is so much to see here but arriving at opening also means you’ll find the least amount of people here. The early bird catches the worm, and when I came in the early morning I had almost the entire place to myself. It was magical. But one of the reasons I love this castle is because of its low levels of tourist traffic. That means that even if you get up late you’ll still find a rather open and uncrowded palace to explore.

Kaffebar

Since the only cafe on the castle property is located very far away from the main entrance, you’re best to stop for some breakfast or lunch on your way into town. My pick would be Kaffebar. This bohemian cafe is a great place to get your morning brew and enjoy a traditional Danish breakfast. Which, contrary to popular belief, does not contain danishes. Try their freshly baked rye bread with cheese, ham and sausage or one of their many rich pastries!

History of Frederikzborg Castle

Purchased by Frederick II in 1560, Frederiksborg Castle was once simply a noble manor house owned by a wealthy landowner. At the time, Frederick II was the reigning sovereign of Denmark and Norway. He fell in love with the manor. Frederick was obsessed with obtaining it and eventually purchased it in exchange for a new royal title for the current owner. He named it Frederiksborg, which translated means literally to “Frederick’s Palace“. Frederick II made many additions to expand the house into an awe-inspiring castle. He wanted to build on the grandeur of the original structure but add his own artistic touches.

When his son, Christian IV, became king he was keen to transform the palace as well. These kings never seemed satisfied. Christian was born inside the walls of the palace. Therefore, it held a very important place in the heart of the new king. Christian IV was progressive. He loved the new style and designs of Dutch Renaissance architecture. Once he took power, he was excited to see the palace reflect the designs of his time. Flemish architect Hans van Steenwinckel the Elder was brought on to create Christian’s vision. It took over 10 years to be completed and the construction even outlived the original architect.

1800s Renovations

In the 1800s, renovations took place to install new fireplaces throughout the castle as the heating had been a huge issue for the comfort of those nobles inside. But it was this very act that would bring great destruction to the palace. One winter’s night, while in his study, the current king Frederick VII asked for a fire to be lit to keep him warm while he worked late into the night. Since the chimneys were still under construction, the smoke and heat could not be released and a fire broke out inside the castle.

The Great Fire

The lake was frozen over and staff couldn’t get enough water pumped to put out the fire. The fire spread rapidly throughout the castle and by morning almost the entire palace had been severely damaged or destroyed. Staff had worked throughout the night to save over 300 paintings and smaller historical items from the fire. You can still see these saved items on display today inside the castle.

After the fire, the royals stayed in another one of their residences while Frederiksborg castle was being rebuilt. But after a short period of time, the royals decided to abandon the reconstruction of Frederiksborg castle. It was too much of a financial drain on their coffers and since they had other large manor houses, it felt like an unnecessary expense.

Transformation into a Museum

In 1878, J. C. Jacobsen, the founder of Carlsberg Brewery, had the grand idea to turn the disused Palace, into a museum. Jacobsen was a passionate collector and loved his country. He thought it was a travesty to see this beautiful piece of history deteriorating in the countryside. He offered to pay for all its reconstruction and any further expenses! Today the palace is still run by the Carlsberg Foundation and it is thanks for him that can explore this wonderous piece of Danish architecture. 

The castle museum features 500 years of Danish history which has been woven throughout the walls of the palace. There are portraits, paintings of historic events, antique furniture and decorative arts dotting the entire palace, creating a timeline of Danish life. Seeing these pieces in-situ, rather than just clumped together in a modern gallery, makes history come alive! Many portraits along these walls are of some of the most famous Danes and Royals who helped shape the face of their country and even lived within the walls of the castle.

Castle Lake

When you first approach the castle, you’ll spot the large lake which surrounds it. It creates a reflective frame around the beautiful red-bricked building. This lake is appropriately called “Castle Lake” and was built in 1560. It served both as a leisure area for the King and his court but also as a moat to keep the castle protected. While Denmark hasn’t seen war in many years, during the time of the castle’s construction, Denmark had frequent battles with other Scandinavian nations, so protection was very important. Today, the area around the lake is accessible to everyone from Hillerød and acts as a public park for the townspeople.

Town Gate

The first thing you’ll see when you arrive at the entrance to the castle is a small bridge in front of a stone archway called the Town Gate. In the centre of the stone archway is a statue of a great lion. He represents one of the three lions which serve as a symbol of Denmark.

Staldgaden

After passing under the gate, you’ll walk down a narrow street towards the castle. The name of this small street is called Staldgaden which translates to housing street as this was where all the servants to the king’s court lived. Walking down this narrow cobblestone pathway, you can see on either side of you two, single-storey buildings. These old complexes were the King’s Stables (to the west) and the Hussars’ Stables (to the east).

At the back of the stables are two matching towers, dubbed the Frederik II’s Round Towers. These were built in 1562 and bear the coat of arms of Frederick II. On the coat of arms is the motto Mein Hoffnung zu Gott allein which means “My hope to God alone“. 

The Gatehouse

As you reach the end of Staldgaden you’ll pass along the S-shaped bridge, over the castle lake, to bring you to the feet of the gatehouse. Christian VI’s Gatehouse was built in 1736. Standing guard, with its copper tiered roof, the Gatehouse is adorned with a huge sandstone relief of the Danish Coat of Arms. The Danish Coat of Arms is made up of three lions with their paws extended, surrounded by nine hearts. These hearts are also called “søblade“, and represent the love for the sea as the Danes were known for their seafaring explorations.

The Neptune Fountain

After you pass through the gatehouse you’ll emerge into the first courtyard. Standing in the center is the commanding Neptune Fountain. The fountain was made in honour of the naval forces in Denmark which were the leading army on the Baltic seas. At the very top of the fountain, we can see the great sea god Neptune. He stands with his hand outstretched, reaching out towards us. In Neptune’s other hand is his great Tritan, at the ready to defend Denmark.

Below him, on pedestals around the central column, are gorgeous rivers and spring deities. Surrounding the lowest level of the fountain are water nymphs. In their hands, they play seashell trumpets. Water spurts forth from these decorations to exalt their great leader, Neptune.

Dutchman Adrian de Vries

The original fountain was designed by Dutchman Adrian de Vries in 1617 but the one that stands here today is actually a replica. This is because the fountain, in its entirety, was stolen by the Swedes during the Swedish Wars. If you’ve ever visited the Royal Summer Palace in Drottningholm, Sweden, you’ll have seen the original fountain as it still stands there today. The current design was made in 1888, funded by Jacob Christian Jacobsen who felt his museum wasn’t complete until the fountain was at least in some part, restored to the palace.

On either side of the Nepture fountain, you’ll see two thin buildings. On the left, we have the Castellan’s lodge and on the right, we have the Chancery Building. A castellan is an appointed official, a governor of a castle and its surrounding territory. The chancery is the building that houses diplomatic missions, such as the Danish embassy. Both of these places were of great importance to the function of the royal family and the government.

Frederiksborg Castle Buildings

Standing in front of the Neptune fountain you’ll have an unobstructed view of the grandeur that is Frederiksborg Castle. Designed in the classic Dutch Renaissance tradition, Frederiksborg is shaped in a quadrangular structure. Dutch Renaissance architecture used red bricks for the exterior and the buildings were topped with stepped gables and towering copper spires.

The four main structures, which make up the quadrangular castle can be seen here from a distance. To the west, we have the Chapel Wing, which was built in 1606. Straight in front of your eyes is the main wing, the King’s Wing, built in 1604. To the east, we have Princess Wing built in 1608. The fourth structure is the clock tower built in 1617 after nine years of construction. These buildings are all joined together by the Terrace Wing to form the great Frederiksborg Castle.

The Terrance Wing

Guarding the entrance to the castle, is a large central doorway that leads into the secondary courtyard. Atop the doorway is a great sandstone work of art carved into the portal. This is the monogram of Christian IV. The large ‘C4’ is chiselled into a circular coin shape, surrounded by rich foliage. On either side of the monogram are two small carvings in the shape of a man and woman. On the left, we have the image of King Christian himself and on the right, is his wife, Anne Catherine of Brandenburg.

Below this area, take a look at the small coat of arms with two unicorns on either side. Unicorns are a part of a cherished Danish myth that says that the throne of Denmark was made of the horns of thousands of unicorns. As such the mythological animal is a strong piece of symbolism to the country.

On either side of the bridge before crossing into the inner courtyard, you’ll find two large sandstone statues of great lions. The lions are reared up on their back legs, with their paws wrapped around a large orb. Orbs are seen frequently in royal symbolism and are thought to represent the globe. The lions with their hands wrapped around it therein representing the Danish power wrapping around the world.

Exterior Statues

On either side of the large doorway, are a series of sumptuously decorated set of sculptures under an ornamented balustrade. Inside the little niches are sculptures of characters from astrology and mythology. The Dutch Renaissance loved these themes and this addition seemed to add to the fairytale nature of the castle. Included in these statues are images of Alexander the Great and Julius Caesar, two amazing historical leaders that the Danish kings wanted to mirror in their own leadership.

Inner Courtyard

Enter through the doorway into the inner courtyard. Staring right at you as you walk inside is the Great Gallery from 1621. This gallery is made up of a series of sculptures across the front of the King’s Wing. These statues are of various Gods and notable historical leaders. They were made by Hans van Steenwinckel the Younger in Amsterdam and brought to Denmark by ship. On the right, under a small copper dome, is the entrance to the castle well, which you can still see behind a wrought iron gate.

Take note of the use of columns here and throughout the castle. Roman and Greek architecture profoundly influenced the Dutch Renaissance as can be seen in the use of columns as adornment. But unlike in Greek architecture, these columns and moulding are richly decorated and bas-reliefs are carved into any flat surface.

Clock Tower

On the left side, we can see the huge, clock tower, marked by golden clockfaces. The clock tower features a clock face on either side of the building, so that no matter where you were in the palace, you could look out and see the time. The dials of the clock end not in a point but in the shape of a star burst and are set against a backdrop of golden sun.

The church is located under the clock tower and it is perhaps for this reason that this tower is so richly decorated. This one wing was the only one to survive the horrific fires and therefore much of the restoration work was done to mirror these original designs. At the top of the clock tower is a golden spire with a horse and crown atop it.

Stained Glass

From the exterior courtyard, look up at the windows, and bay windows, which protrude from the castle walls. Each of these windows is sumptuously decorated with vibrant stained glass, another popular feature of Renaissance architecture. Everything from family crests to royal symbology and historical portraits are represented here in delicate glasswork.

The Rose Dining Room

Enter the central doorway to step for the first time into the interior of the castle. Once you pass through the admission gate, you enter the great Rose Room. This room on the lower level is a recreation of the great Dining Room of King Christian IV. The naming of this room as the “Rose Room” is a hint at the true nature of the goings-on at royal dinner parties. The Latin phrase sub rosa means “under the rose”, and is used in English to denote secrecy or confidentiality. This dining room was where the court could come and be themselves, away from the eyes of the public.

This room was severely damaged during the fire, but luckily, dozens of paintings were made of the interiors of the castle, which were used to recreate these rooms authentically.

Interior Ornamentation

One of my favourite parts of this room is the white stucco ceilings supported by six vaults which rest on free-standing pillars. In the centre of the extremely detailed ceiling are various golden monograms set in a sea of white stucco flowers and vines. The juxtaposition of the white ceiling and dark wood floors is a beautiful piece of architectural contrast.

The wallpaper in this room is especially interesting. It was made of an imitation leather material and covered in gilt to look as rich as possible. Like running your fingers along the spine of an ancient book which covers the entire room.

Throughout the castle, there are little displays featuring clothing from the various time periods that royals inhabited the castle. This gives you an idea of the kind of regalia that would be floating up and down the hallways of the castle when it was a bustling imperial residence.

Staircase

Head through the door marked 2nd floor, which leads you up the winding staircase. This passageway leads guests into the Chapel. As you walk you’ll pass hundreds of shields, emblazoned with the coat of arms of the houses of Denmark’s royal families. They are almost piled one upon the other, making you aware of the legacy that Denmark’s royal family left on the country. There are over 3,500 of these shields in the castle. 400 of them belong to the Order of the Elephant and the remaining 3,100 belong to the Order of Dannebrog. Because the staircases were spared from the fire, all the shields are still originals.

Chapel

Walking into the Chapel, your jaw practically drops right to the floor. The sparkle of the golden ceiling, the bright glimmer of the stained glass windows and the brilliant red pews together combine to create such an awe-inspiring image. The Chapel is one of the few original rooms in the palace, as it was also spared by the great fire that consumed the rest of the building.

Dutch Renaissance

The Chapel was built in 1617, right in the middle of the great Dutch Renaissance. Since the Renaissance was all about reflecting the architectural styles of ancient Rome and Greece, you’ll see here the powerful use of columns, repeated to create a long nave and two-storey gallery. The arches which connect the pillars are richly decorated with grisaille frescos. Grisaille is a painting technique that uses only shades of grey to imitate the looks of sculptures. It was a method of achieving a more luxurious look at half the cost.

The Chapel inside Frederiksborg Castle was for more than just the king’s private prayer roon. After 1648, the chapel was the place where the future kings and queens of Denmark were crowned and anointed. It truly was an almost godly interior.

The roof is the real show stopper here. The six-vaulted stucco ceiling is pouring with golden embellishments and rosettes along the vault ribs bloom like they are in the middle of summer sunlight. In between, there are delicately painted pink cherubs looking down on the faithful below.

Paintings decorate the walls of the upper level. These paintings are from the Danish royal family’s art collection. Each one depicting scenes from the bible, featuring virtues that would befitted feature kings and inspired their good nature.

The Organ

Just below the great golden ceiling, you’ll see the other gem of the Chapel, the great organ. It was built in 1610 by Esajas Compenius and it the oldest organ in Denmark! The organ was a gift to Christian IV in 1617 when the chapel was consecrated. Despite it’s proximity to the great fire, the original wooden pipes were preserved, something which is a rarity to see in organs, since many were modernized with metal pipes.

The organ is still operational and uses a manually driven blower to create a rich sound. It requires two people to play it; one to pump it and the other to play the keys. On either side of the organ are these beautifully carved statues holding the crests of the royal family of Denmark.

On the opposite side of the church, is a new set of organ pipes, installed in 1863. While these might not be as old as the previous ones, they are, in my opinion, much more beautiful. The metal pipes are surrounded in multicoloured carvings. Everywhere you look there is a little angel poking its head out from amongst the pastel-painted decorations.

The Altar

On the lower level of the chapel, the amazing treasures don’t stop. Head up to the front of the church where you’ll find the great altarpiece and pulpit. These were both installed in the early 17th century and are by the famous silversmith Jacob Mores. The altarpiece is made of silver and ebony, with gold touches just to make the entire piece feel like something truly holy.

Coats of Arms

Other than the paintings, on the walls, you’ll see more of the amazing Coats of Arms which we were introduced to on the way up the stairs. As mentioned before these are from the Order of the Danopole and the Order of the Elephant, the two chivalric orders of Denmark.

The Order of the Elephant is the highest rank someone could receive. The Order of the Elephant shields are significantly more detailed, with a blue shashes and commander’s cross in chains painted around the shield. Look closely and you’ll see that the chain links are actually tiny elephants connected together.

Coats of Arms of Heads of State

Coats of arms were also given to foreign heads of state. These were symbolic of great partnerships such as the ones gives to the allies of WWII. They were given to both President Eisenhower and Winston Churchill. I loved studying all the different house crests in the centre of the shields. Each one was so different from the other, and it felt like, through the symbolism therein, you could learn so much about a family you’ve never met.

The Oratory

Continuing along on the upper level of the Chapel, and head under a low archway into the King’s private prayer room, or Oratory. This darkened room was where the king would come to pray, away from the clamour of the court and the public. His chapel is decorated on all sides by amazing paintings from the New Testament. Although the original paintings were lost in the fire, these new ones were inspired by paintings from the time and evoke the idea of what the oratory once would have looked like.

The walls here are carved from rich nutmeg coloured wood, with fantastically detailed decorations in between the panels. In the centre of the room stands a great silver altar, much like the one in the chapel. This was designed by goldsmith Matthäus Wallbaum in 1600 and made prayer in this small room feel all the more grandiose.

My favourite part of this room is once again, the ceiling. Turn your head upwards and spot the various strangely shaped ebony carvings. Some look like blossoming rosettes and others appear to be spikes curving into horn-like shapes. They feel so unique and almost otherworldly, something you might not expect to see in a religious setting.

Valdemarsalen

The Valdemarsalen is a pale yellow room, featuring hunting regalia all over the walls. The room is named after Valdemar I of Denmark who ruled from 1146 to 1182. King Valdemar was a great ruler and it was partly due to him that Denmark saw its rise to power in the medieval period. This room features objects from his life in Denmark in medieval times. Richly carved wood was the most popular item and various pieces of furniture from this period have been collected here to give you an idea of what Valdemar’s quarters might once have looked like.

Otto Bache

This room also features several large scale paintings depicting scenes from the Middle Ages in Denmark. One of the most interesting is ‘The Conspirators Riding Away from Finderup after Murdering King Erik Klipping‘ by Otto Bache. The scene takes place in 1286 but was painted in 1882 and depicted one of the greatest royal murders of Danish history. The nobles of Denmark were angry that King Erik had enforced several policies that they did not approve of. But instead of just opposing them, they did the very medieval thing to do and conspired to murder him. They paid off one of his most trusted companions to keep them informed of the king’s whereabouts, and one night, when he was left unguarded, he was murdered by the noble’s hired assassin. Here they can be seen fleeing after being informed of their plots success.

Audience Chamber Privy Passage

To the left, you’ll see a door marked ‘Audience Chamber‘. Head through this private passage, which stretches out across the lake. The passageway to the Audience Chamber is perhaps even more beautiful than the Audience Chamber itself. The passageway and the Chamber were designed for King Christian V in the 1680s. During this period Baroque was the style which reigned supreme! The baroque period is characterized by light and shadow and most of all, drama! The stucco used throughout the passageway is adorned in plant life, another element of importance to the baroque period. You’ll see scrolling foliage and garlands of flowers everywhere you look.

On the walls of the passage, you’ll see landscape paintings by Josse de Momper. One of the most powerful images is of Venus by Petro Liben. She gestures towards the Audience Chamber as if inviting guests inside. On the ceiling of the Privy Passage you can see four images representing earthly elements; earth, air, fire and water.

The Audience Chamber

The Audience Chamber was designed in 1616. From here you have one of the most amazing views of the lake and surrounding baroque garden. This was the King’s private room, and he wanted the best view of his great palace and grounds. Like the Chapel, this room, being so separated from the rest of the castle, also survived the great fire!

On the walls throughout the room are portraits of Christian V and his family. The largest painting is of the king with his three sons, the future kings of Denmark. In this painting, they are dressed as Roman emperors. This was a popular fashion at the time to compare oneself to other great leaders in history but looks funny to see the almost dressed in costumes.

King Christian V’s motto

On the ceiling, is a great fresco of King Christian V’s motto “With Piety and Justice.” Hanging beneath it, over the small dining table, is a large golden chandelier featuring a jumping stag in the centre. Hunting was a great pastime of Kings and royalty, especially in their country manor homes.

Above the windows are paintings of significant battles, and the king’s triumph during the Scanian War. These images were something future Kings could look up at and be inspired by in moments of doubt or failure.

One of the more exciting parts of this room is a chair located in the corner. This chair might look a little odd, and this is because it’s a chair lift that can go from this room to the floor above, which contains the king’s private apartments, just like a modern-day elevator. The chair lift was installed when the king fell ill and found it challenging to walk up the stairs between the various floors.

Painted in the four corners of the ceiling are four becoming female figures which represent the four corners of the world. At the time Denmark had colonies in each of these places and the paintings were meant to reflect this position of power which Denmark held over the world.

Room 25

From the Audience Chamber, head back through the Valdermarsalen, into Room #25. If you are ever confused as to what room you’re inside, take a look at the numbers above the doorways as they are all marked. Hanging above one of the doorways is a huge family tree from 1570. The piece once hung in the old Sonderborg Castle Chapel but was moved here to decorate Frederiskborg after the fire. The furniture inside this room is all from the 16th century and features Gothic embellishments.

One important thing to note as you explore the rooms is that they are almost entirely lit by daylight. This little detail makes the rooms feel more authentic modern museums with artificial lights. The pieces inside would not have been designed to appear under such fluorescent lighting, and therefore, they look more natural with nothing but the sun to illuminate their beauty.

Room 26

Room #26 features items from the Danish Reformation Era. During this era, Christian III came to power and became head of the Danish church. To mark the importance of this period in history, a Danish translation of the Bible can be seen under a protective glass case which was one of the first of its kind in the Danish language.

Room 27

This pale blue room with a gorgeous star vaulted ceiling is dedicated to the reign of Frederik II. Hanging above the main wood dresser are two portraits, facing each other. This is King Frederik and Queen Sofia, who would have made this room their bedchamber. The rest of the room is filled with additional portraits of the bourgeois who attended court at this time. This was the first moment in history when paintings of non-royal members of the family were allowed to be made, so their depictions are especially important.

From this room, you can easily peek out the window, and see the courtyard below. Looking out the windows of the castle is a great way to orientate yourself as you walk through the maze of rooms inside.

Room 28

Room 28 is the Noble Portraits room. It features a collection of paintings of the nobles of the Danish court. The most famous person on these walls is Tycho Brahe, a famous astronomer from the 1600s. In the centre of the room is a large suit of armour, standing guard in front of the windows. The armour is a copy of that worn by Henrik Rantzau “the learned” who visited Jerusalem and Egypt in 1623 during the Crusades.

Room 29

Room 29 is painted bright blue and the golden paintings set against the walls simply beam against the natural sunlight. This was one of the original living rooms of Christian IV. He lived in the castle beginning in 1596 when he became king at the young age of 19. The first half of his reign was more prosperous than the second half when he was plagued with the disastrous Danish 30 years war.

The large painting above the dresser is of the king himself and surrounding him are images of his children and wives. Christian IV actually had three wives throughout his lifetime. Perhaps looking at his portrait you can decide for yourself if it was his looks or his wealth that drew all these ladies to him.

Room 30

Stepping into Room 30 feels like entering a more regal part of the castle. This room is sumptuously decorated. The painting on the wall depicts events from Christian IV’s life, and the decor inside this room is curated to reflect styles that would have been popularized during his lifetime. Along the wall is a HUGE painting of the coronation of Christian IV in 1596 made in 1887 by Otto Bache. 

The ceiling is covered in frescos. They stretch from end to end and are framed in giltwood carvings which make them even more elaborate and colourful. The frescos on the ceiling feature the story of the ancient legend of Gefion. Gefion was a fantastical goddess who drove an enormous plough driven by mythical oxen. The King of Sweden offered the goddess as much land as she was capable of ploughing in one day and one night in exchange for cultivating the island of Zealand out of Sweden. Here you can see her along with her great oxen.

Nikolaus Siebenhaar

In the corner of the room, behind a beautifully panelled set of windows, is an old astronomical clock from 1644. The clock was made by Nikolaus Siebenhaar from gold plated copper on a carved wooden base. The clock was called a tellurium. The tellurium and shows the time, date, moon phase and the position of the constellations. All of which were of great importance for astronomy and astrology which influenced the king’s decisions during this time.

Room 31

Room 31 is the Leonora Christina living room. The entire room is covered floor to ceiling in dark wood panelling. The room was inspired by the amazing works of Tycho Brahe and was given an astronomical theme. The ceiling is the most impressive feature covered in a painting of the zodiac symbols as they appear in their spacial constellations.

The large painting on the wall of a man and woman with a few small dogs at their feet is Princess Leonora Christina and her husband Corfitz Ulfeldt. Leonora’s husband committed treason against the king, Leonora’s brother. Leonora herself was sent to prison by her brother for her aid in the attempted plot.

Leonora was imprisoned in the Blue Tower in Copenhagen for 22 years. When she was finally released from captivity, she wrote a series of poems on an altar cloth about her life in prison, the true nature of royal life and all the scandals she was privy to while living in the castle—basically creating the first “exposed” article of all time. You can still see this piece of history on display here today.

Room 32

A collection of minature portraits occupies the corner tower room on this floor. These adorable cameos and tiny portraits were often worn by members of the court to show their allegiance to individual members of the royal family. This was of particular significance if one royal was thought to be attempting to oust the next. And if you wanted to show your support of one royal over another casually, this was a subtle way of doing it.

Room 34

From the minature portrait room, head back to room 30 and head upstairs to Room 34. This hallway leads you through to the second floor of the castle. The walls of the hallways here are littered in paintings. The most impressive of which is the ‘Storm of Copenhagen in 1659‘ by F.C Lund. It features the night that Copenhagen was attacked by the Swedes. As the siege wore on, one of the most famous quotes from the king’s as he defended the city was “I will die in my nest“. The Swedes were defeated and suffered over 500 deaths whereas the Danes managed to defend their city fiercely and only lost 14 brave men.

Room 35

Walking through these long hallways, turn into the grand bedroom of Frederik III in Room 35. The furniture in this room is all from the 1600s during the reign of Frederik III. Take special care to study the four-poster bed in the middle of the room. It’s incredible to see how small these beds were despite being for the absolute monarchs of the time. If you look closely at the crushed red velvet bedding, you’ll see how the head of the bed is raised slightly, since it was the custom at the time to sleep with your head above your body. The bedposts are giving particular attention with carvings of kings and queens as well as mythical creatures inlaid into the wood.

This room features the most amazing wood carvings. The ceiling itself is absolutely covered in carved panels. The same strange blossoming rosettes from the oratory can be seen here paired with brightly painted circular panels.

Room 36

Room 36 features more objects from the time of King Frederick III and Queen Sofia. The style of architecture and decor inside is of the baroque style. It is lavish and bordering on pompous. The furniture throughout the room is all exquisitely created from Germany, the Netherlands and France as the Danes. The reason the furniture was not locally made was that during the reign of Frederick III, trading across Europe had started to open up making the exchange of goods and materials more popular and fashionable. “Shop local” wasn’t nearly the trend in the 1600s. The furniture is even inlaid with pieces of ebony and ivory, a way of showing off wealth in every inch of the castle.

Along the walls in this room are portraits of the men who supported and aided the king in the 1600s. There were both noblemen and academics who helped lead the realm into glory.

On the ceiling of the room is a grandiose painting of Sol. Sol is the Nordic sun goddess who travels through the sky in a chariot pulled by two great horses. Sol is responsible for imparting everlasting life and is thought to have created the spark of life on earth.

The Angel’s Room

Room 37 is also called the Angel’s Room and walking in, there is no doubt as to why. It feels truly otherworldly. When Frederick III died, queen Sofia continued to live here in her widowhood. She took it upon herself to pour her grief into the decoration of the castle. She never stopped adding decorations and embellishments until her own death. This room was badly damaged in the fire but was restored to its former glory in 1859.

The Angel’s Room was often used for both huge banquets and small family dinners. Displayed in the centre of the room is a model of the dining table complete with plastic moulds of the meals and foods which the court and royal family would have eaten in the 17th century.

Great Ceiling

The great ceiling is painted with motifs inspired by the Doge’s Palace in Venice. The paintings in the centre are of King Frederick III on the throne surrounded by the four pillars of the Danish kingdom; the nobility, the clergy, the citizens and the peasantry. In the other paintings, are allegories of war and peace.

The room display two huge paintings of two of the most important events in Fredericks III’s reign. One of the paintings features the moment he inherited Copenhagen’s Royal Palace. After the Carl Gustav wars, Frederik III had a momentous town meeting in Copenhagen to solve the financial problems the country was facing after the war. The result of this meeting was the creation of absolute monarchy and the hereditary kingdom of Denmark.

Nyborg Fjord

The second painting features the naval commander Peder Bredal when he freed his frozen vessels out of Nyborg Fjord. The painting was made by Carl Neumann in 1883. Johan Carl Neumann was one of the most famous Danish marine painters. He had a way of capturing those moments at sea which helped shape the nation. If Bredal would not have been able to free his ships from the ice, the soldiers would have been both lost at sea during the tough winter and they would not have been able to join the forces on land to defend their kingdom.

A small set of stairs leads you from this room into the Great Hall. On either side of the archway leading up to the Great Hall are a set of winged creatures, beckoning you inside.

The Great Hall

The Great Hall was built for King Christian IV but was destroyed in the great fire. Since this room was such a showstopper there was a plethora of paintings and drawings done of the space used to faithfully recreate it. King Christian ruled Denmark from 1588 to 1648. His 59-year reign is the longest of Danish and of Scandinavian monarchs. Despite the wealth displayed in this room, during his reign, he instigated various wars that almost bankrupted the country.

This fairytale-inspired room was used for balls throughout Christians’ reign. The room is set directly above the Chapel and has the same dimensions as it as well. The Hall is also known as the ‘Hall of Knights‘ as the king would often host galas for members of his royal order here.

Great Hall Fireplace

On the side of the room is what looks like an ebony coloured canopy but is actually the great black marble fireplace. The actual fireplace is hidden behind a set of tapestries as it helps keeps the cold out. Inlaid on the black marble are beautiful scenes made from panels of pure silver. I can only imagine how gorgeous the silver would have looked in the light of the fire.

When I visited the castle, there were very few people in the palace. But as I wandered around the empty hall, a small group of school children came inside and began to dance in the huge empty room. They were so sweet and made me imagine what this room might have looked like filled with courtly men and women in their finery, dancing the night away. The rich marble floor beneath their feet glimmering under the chandeliers and their laughter brought the room to life!

From looking down at the floor, take your eyes upwards to the great ceiling carvings. The ceiling was recreated based on artists’ sketches before the fire. The ceiling looks like a treasure chest, piled high with golden coins and brightly coloured jewels.

Every inch, every centimetre of the ceiling is embellished in carvings and paintings. Angels flit about among orange trees, crowned rosettes, and beautiful swirling fillagree. Scenes set into the ceiling represented the various crafts of the Danish people, such as the paper mill, the printing press, and even the watchmaker. Surrounding these scenes are allegories of God’s attributes. A balance between the godly and the earthly delights.

Great Hall Tapestries

One of the most important pieces of art in the hall are woven tapestries. The tapestries depict the life of Christian IV and are copies of original tapestries found outside the castle, having been saved from the fires. The tapestries were made specifically for the museum to restore the look of the Great Hall.

Facing in on the hall are portraits of the members of the House of Glücksburg. The house of Glücksburg has been the Danish Royal Household since Christian IX in 1863. The current reigning queen, Margaret, is from their dynasty and keeps her family’s legacy alive today.

At the front of the room, under the most enormous golden chandelier, is the throne and king’s table. The throne is covered by a rich red velvet canopy with golden embroidery depicting Christian IX’s Danish monogram.

Gothic Globe Room

From the Great Hall, head back into the Angels Room and towards Room 39, which is located in the corner tower. This room also called the Gottorpske Himmelglobus or Gothic Globes room. The golden globe in the centre of the room was made for Frederik III. This celestial globe depicts the world view of Nicolaus Copernicus. Nicolaus Copernicus was a Renaissance-era mathematician and astronomer, who formulated a model of the universe that placed the Sun rather than Earth in the center o the universe. The entire piece took over three years to be completed in 1657.

Astronomical Designs

The sky is represented around the exterior and inside the sphere are tiny gold balls which are the earth and, the moon. The other planets are also represented by smaller silver balls inside. The sun is in the centre of all of this, represented by a large brass ball. Around the exterior of the sphere are these beautiful depictions of the zodiac symbols surrounded by astronomical constellations. But the piece is not just an art exhibit, each of the objects moves based on the 24-hour clock. The room also features portraits of court mathematicians, astronomers, librarians and the heads of the Art Chambers.

While the ceiling here is pure white, the stucco designs were made to reflect the presence of the celestial globe and also feature images of the zodiac symbols.

Room 40

Head back to Room 36 and continue from here to Room 40. In this room was have items from Christian V’s reign from 1670 to 1699. Christian V was the first king who was anointed in the palace. In the center of the room is a book with the page opened to the King’s Act of 1665 which was the legal basis upon which the Danish Monarchy was formed.

On the left side of the wall is a large portrait featuring Christian V in his fancy dress. Seeing his face both here and throughout the castle always makes me feel like he’s still watching over the palace even hundreds of years after his death.

This room also has one of the best view of the castle layout and baroque gardens outside.

Room 41

Room 41 features statesmen and artists from Christian V’s reign. Among them were the naval hero Niels Juel, baroque poet Thomas Kingo and merchant turned chancellor, Peder Schumacher.

Room 42

Room 42 marks the transition between the 1600s and the 1700s. This period was marked by the Baroque style. Baroque and Rococo are my two favourite stylistic periods as they are synonymous with ostentatiousness and grandeur. Instead of wallpaper decorating the walls, they were covered in huge woven tapestries. These tapestries depicted scenes of Alexander the Great entering Babylon and the battle of the Persian kings. They were fantastical depictions of the greatest rulers from history. The tapestries were made in Louis XIV’s factory in Paris and were made by the very best weavers around the world.

The beautifully carved and upholstered canopy bed was made in Paris around 1724. They called this style of bed a “parade bed”. It was made for Christian V when he married Christine Catherine von Holstein in 1724. You can see their monograms, CDS and CCH, carved into the bedframe. My very favourite part of this bed is the silver fireguard which sits in front of the bedroom to protect it from the sparks of the fireplace. It’s shaped into a heart and feels like it warms the room, even without a fire.

Room 43

Room 43 is centred around the large painting of King Frederick IV. Frederick IV reigned from 1699 to 1730. Frederick didn’t have the best time ruling the kingdom. During his reign, Copenhagen was struck with both the great plague of 1711 and the great fire of 1728, which destroyed most of the capital. Wanting to escape Copenhagen, Frederick spent much of his time building onto Frederickborg Palace. While Frederick wasn’t much of an academic, he loved art and architecture and it is perhaps for this reason that the castle became so magnificent. Chinese imports were becoming all the rage in this time and many of these oriental objects can be seen in this room.

Room 44

Head into the corner tower where you’ll find room 44. Here you’ll find portraits of a number of prominent figures of Frederik’s IV’s reign. But what is most interesting to study in this room is the golden leather wallpaper which has been applied to the walls. This leather wallpaper appears throughout the castle but is most notable here both for its size and grandeur.

Room 46 – The Princess Wing

A long pastel pink hallway runs down this side of the castle, with various rooms extending off of it. This area of the castle is called the ‘Princess Wing‘. Most of the objects and paintings in this area are from the reign of Frederik IV and Christian VI from the first half of the 18th century. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Style of Louis XIV. Rococo dressers line the hallway, marked by their curves and sculptural moulding.

Room 47

The pale blue room decorated with a myriad of the golden frames is from the time of Christian VI who ruled from 1730 to 1746. Various paintings in this room feature Queen Sofia Magdalene and her children.

In addition to the series of paintings, there are a set of chairs in here which are original from the court of Christian VI. There is also a cupboard containing an original Meissen porcelain collection. Meissen porcelain was one of the most popular items to show off your status at the time. Take note of the punch bowl in the shape of a bishop’s hat made in Copenhagen.

Room 48

Continue along through the rooms and head into Room 48. This light rose coloured room contains more objects from the 18th century. Two portraits of Frederick V by C.G. Pilo cover the walls. Pilo was responsible for most of the rococo designs throughout the castle during this period. He was the king’s personal stylist and interior decorator.

The furniture in here is much lighter than in previous generations. Patterns are no less opulent but the subtle tones make it feel less busy. There is definitely an air of elegance here over opulence here.

Room 50

Room 50 contains a portrait of a rather turbulent figure in the royal household. During Christian VII‘s reign his wife was having an affair with a man named Struensee. Struensee was the king’s doctor, in addition to being the lover of the queen. Struensee used his influence over the king to control the kingdom as he saw fit. Finally, when the King discovered this treachery he had the doctor executed for crimes against his majesty. His portrait still hangs in the castle, perhaps as a reminder to those who might attempt to do the same.

Room 52

Room 52 features dignified furniture in the style of Louis XVI. The canopy sofa with a gold plate actually pulls out to be a double bed. Proves how the castle was starting to modernize with the times. The tableware in here is another gorgeous example of the style of Rococo flatware with botanical imagery all over it which was a popular icon on the style.

Room 54

Exiting back into the hallway, you’ll see that the walls have changed colours from the pastel blush pink, to mustard yellow. Along the walls are vintage pieces of furniture from the 1800s. But the most impressive part of this corridor is the gold plated ceiling. Inlaid with images of roman leaders, they look almost like giant coins glued onto the ceiling.

Room 55

Room 55 is one of the plainer coloured rooms but the sheer number of paintings on the wall makes it no less interesting. On the wall opposite window, are two grand pictures of the Battle of Copenhagen in 1801, depicting the vanquished Danish fleet. Despite this great military loss, the early 1800s were a boom time for the Danes. It was a golden age for art, literature, and science. Portraits on the wall reflect the various men and some women who helped shape this golden age. In the room is a set of Danish Imperial living room furniture, covered in rich red leather, which belonged to the household of Frederick VI.

Room 57, the Gable Room

The brightly painted red room in the back of the Princess Wing is called the Gable Room. This room is full of portraits of poets and artists from the Danish Golden Age. You’ll find pictures of actress Johanne Luise Heiberg, poet H.C. Andersen, and W. Marstrand. This change in who is portrayed in castle portraits, from the royals to portraits of celebrities, shows the shift in power dynamics during this time. The painting of actress Johanne Luise Heiberg was commissioned by her husband Johan Ludvig Heiberg. It was painted in the middle of the crisis that would lead to their eventual breakup. Her stern face clearly reflects her cross feeling about sitting for the portrait with a man she no longer was the biggest fan of.

The chandelier in the center of the room is one of the most impressive designs, with large round orbs hanging from it, it looks almost like a mythical fruit tree. It’s a big departure from the traditional chandelier designs throughout the rest of the castle and is another example of the change in both power and design during this era.

Room 58

In the last room, Room 58, you can visit a bust of the great linguist Rasmus Kristian Rask. Rask travelled the world studying Icelandic grammar and Oriental languages and is considered one of the founders of modern linguistics. Beside the statue of Rask is a stately telescope design from the mid-1800s. It was once used by Johan Ludvig Heiberg when he visited the palace.

Room 61

Take the stairs down to Room 61 back on the 1st floor. This room is commanded by a huge painting of the Constitutional Assembly from October 1484. This is when the king gave up his monarchical powers and when the first democratic election in Denmark took place. In this painting, you can see famous politicians from Danish history.

The ceiling in this room is once more sumptuously decorated with wood carvings and paintings of naval battles inlaid in the center.

Room 63

Room 63 is dedicated to the Three Year War which raged from 1848-1850. Denmark was fighting against the Germans, who had taken their land to the south. Two large paintings on the wall are of the greatest heroes of this war which lead Denmark to victory.

The ceiling styles in this era are definitely something to behold, as they appear to be an art gallery all unto themselves.

Room 64

Room 64 was actually a part of the museum created for not crown royalty, but for the great poet Adam Oehlenschlager. On the 100th anniversary of his death, the museum collected objects and paintings of the great Nordic poet and dedicated this room to his memory.

Room 65

Room 65 features images from the war of 1864. Prussia and Austria both attacked Denmark during this time. The war ended only when Denmark agreed to hand over parts of their land to Austria but managed to hold onto the small island of Ærø, which remained Danish. Ærø is my favourite spot in Denmark so I can see why that place would have been so important for them to hold onto.

The ceiling in this room features a large central painting depicting Jupiter and Juno. Juno and Jupiter are husband and wife and considered to be the King and Queen of the gods. They are often seen in Royal residences, as the royals are thought to be their earthly counterparts. Juno is the goddess of marriage, and childbirth and Jupiter was the god of the sky and thunder.

Room 66

This room is dedicated to the businessmen of the 19th century who helped move the Danish economy along. Agriculture, the dairy industry, shipyards, railways and breweries were booming and the various men in this room had a large part in their success.

Room 67

In this room, we see images of the Glucksborg families once more. Upon the death of Frederick VII in 1863, the throne passed to Christian IX who was a member of the Glucksborg family, and this was when their reign would commence. The furniture in this room is the most modern, all coming from the 19th and 20th centuries.

Room 68

The last room to study before heading outside is Room 68, which is dedicated to the memory of Brygger Jacobsen, who founded the museum which is now Fredericksborg Palace. Brygger Jacobsen, continued the legacy of his father’s brewer, Carlsberg Brewery, which is still to this day one of the most popular beers not only in Denmark but around the world.

Mønttårn tower

After you’ve finished touring the castle, head outside, around the castle over towards the baroque gardens. To enter the gardens you’ll enter through the Mønttårn tower, which contains the Audience we saw inside. This part of the castle was built in 1616 in high-renaissance style.

Study the swinging gables and gorgeous bay windows. The exterior is decorated in sculptures of Venus and Mars and musicians.

Baroque Gardens

Walk underneath the archway and across the stone bridge towards the Baroque gardens. The baroque gardens which surround the castle are designed in the typical style of the age. It was created by architect J. C. Krieger in 1725. Baroque gardens during this time were designed in a symmetrical pattern and used hedges and bushes to create an outer structure.

Within the lower portion of the gardens, you’ll find the hedges are carved into unique patterns which form of the Royal monograms. These monograms are of Frederik IV, Frederik V, Christian VI and Margrethe II. These are all the monarchs who ruled within the walls of this castle.

Toward the far end of the garden, off to the left is a series of small lakes, a bathhouse and an English style garden. This is also sometimes called the Romantic garden as it presents the uncurated and raw beauty of nature in contrast to the highly manicured and planned structure of the baroque garden.

The Little Ferry

After finishing wandering the incredible gardens, head over to the ferry dock to catch a ride around the castle lake. The ferry captains are the most charming old men and their cheerful banter was one of the best parts of the journey on the ferry.

The trip across the lake takes 30 minutes and costs DKK 30 ($4.50 USD) for adults and DKK 10 ($1.50 USD) for children. The last ferry departs the castle at 5 pm in the summer and 4 pm in the autumn so be sure to catch it before then. In the wintertime, the ferry is closed since the lake often freezes over.

Boating away from the castle, you have the most incredible view of the entire palace from on the water. The peaceful lull of the waves and the picturesque red brick against the bright blue sky is almost so beautiful its hard to imagine that this place is real and not just a fairytale.

This brings us to the end of our tour! The ferry boat will let you off on the other side of the lake, where you can wander around the village or head back to the train station to catch the train back to Copenhagen. While watching, the countryside fade back into the city, think back to all the wondrous things we saw at the Palace. What was your favourite room or treasure you discovered? Let me know if you’ve ever visited Frederiskborg Castle or what you’re most looking forward to seeing on your first visit!

Happy Travel Adventurers

The post Discover Denmark’s Amazing Hidden Gem: A Guide to Frederiksborg Castle, the Best Day Trip from Copenhagen first appeared on The Creative Adventurer.

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